“Well I’m up in the morning and I’m feeling OK…Don’t want the devil to get in my way so I’m down on my knees and I’m starting to pray, ‘Good Morning, Lord!’ Good morning, Lord! Send a little sun(son)shine down my way. Good morning, Lord! I just want to live for you today.”
Earlier this month I was honored to worked with more than 20 young people (JH/HS & College) at the 1st Annual Ark/La/Tex Singing Camp in central Louisiana. With the combined talents of Andy Baker, Benjamin Bruce and our camp director Doyle Bruce the young men were taught more than just how to read shape notes and understand music theory. We imparted a working knowledge that embraced the responsibility of leading singing and bringing the congregation closer to honoring and glorifying God. The young ladies were directed by Katheryn Baker, Kristy Huntsman and Emili Bruce.
When we consider our opportunity and obligation to sing and teach singing, we come closer to knowing how GREAT our God really is. We come to appreciate the vast debt we owe for the hope we have in this life and in the life to come. But when it comes to trying to understand that debt and how I should live in response to God’s great gift, we start by looking at the first chapter in the book of Psalm. Thanks, Andy, for taking us through this psalm as we sang and learned how to live for our God!
“Blessed is the man Who walks not in the counsel of the ungodly, Nor stands in the path of sinners, Nor sits in the seat of the scornful;
But his delight is in the law of the Lord, and in His law he meditates…day and night.
He shall be like a tree Planted by rivers of water, That brings forth its fruit in its season Whose leaf also shall not wither; And whatever he does shall prosper.
Godly man…PARALLELED…with the Ungodly man
The ungodly are not so But are like the chaff which the wind drives away.
Therefore the ungodly shall not stand in the judgment, Nor sinners in the congregation (family) of the righteous.
For the Lord knows the way of the righteous but the way of the ungodly…shall perish (shall not last).”
Make plans to join us next summer, but in the mean time let me encourage you with these words from Andy Baker…
“Spend time in the Son (sun), Spend time in the Scripture and Spend time in Self-Refection.”
Have you ever stopped to consider how words, though spelled alike, have a different meaning? It’s easy to see how words like post can mean something you write or something you dig a hole for. Or how stalk, can be a part of a plant or it could mean to follow someone. How about the word yard, or jam, or left, or right, or match, or crane…you see the list goes on and on. These words are commonly referred to as homonyms; words that are both spelled and pronounced the same, but have different means.
Obviously, we find homonyms in some of the songs we sing as well. You might remember singing the word ‘beguile’ in a song or two. This is a word we must know what it means if we’re going to sing it. Notice the second verse of the song, Let the Beauty of Jesus Be Seen:
“When somebody has been so unkind to you, some word spoken that pierces you through and through. Think how He was beguiled, spat upon and reviled, let the beauty of Jesus be seen in you.” The word beguiled means to trick, deceive or cheat. Could it be said that when Jesus was on trial he was cheated? Certainly; taken by night, accused by false witnesses, lied about. We can see how ‘he was beguiled’ but what about another song with the same word, could we possibly be using the same meaning?
“Sing on, ye joyful pilgrims, while here on earth we stay; let songs of home and Jesus beguile each fleeting day…” The word beguile means to trick or deceive or cheat. Would that mean songs about home and Jesus are nothing more than a deception? You know that using that definition would be a misrepresentation of Jesus’ love. Instead, this is where the ‘other’ definition comes in. Beguile can also mean, ‘to pass time pleasantly.’ We sing about our home in heaven and remember our Savior; and those thoughts alone can help us pass the time pleasantly in our life.
But let’s consider another song with a more obscure homonym, The Lily of the Valley…(verse 2) “Oh, He all my griefs have taken and all my sorrows borne; in temptation He’s my strong and might tower. I have all for Him forsaken and all my idols torn from my heart and now He keeps me by His power. Though all the world forsake me, and Satan tempt me sore, thru Jesus I shall safely reach the goal…” Though you might have noticed more than one homonym, let’s see what Satan is doing to us directly. We sang, “…though Satan tempt me sore…” What kind of sore could that mean? Is it referencing what most would consider ‘causing sorrow or misery?’ Though Satan does cause me sorrow and pain in temptations, perhaps there is another meaning to this ‘sore.’
Written in 1881, Charles W. Fry was in his mid-forties and only months away from death. As he would have been familiar with a more rustic and rural life style, Fry may have also seen a different meaning to the word sore. Truly he would have known this to be a word depicting pain, but perhaps he also knew this word had another connotation. He may very well have known that sore(d) meant to, ‘mutilate the legs or feet of (a horse) in order to induce a particular gait in the animal.’ With this added definition let’s consider the message of the song; “…though all the world forsake me and Satan tempt me (so as to make me walk the way he wants me to), thru Jesus I shall safely reach the goal…” Satan does ‘tempt me sore’ that’s true. But we should never let him change from our walk with Christ!
And it’s true, we do hurt when we face trials and temptations, but know that Satan wants to do more damage to you other than just ‘making you hurt.’ He is trying to change your gait (a person’s particular manner of walking). His evil desire is to ‘mutilate’ your legs (your heart) so badly that you will eventually change your way of walking. But that’s when we remember the next line of this hymn, “….thru (with) Jesus I shall safely reach the goal.” There are more to our psalms, hymns and spiritual songs than we sometimes realize. Spend time reading, learning and understanding the words you sing as you praise God and edify one another.
The following account is one man’s record of how we came to know and love “Silent Night.” The accompanying video (YouTube) is sung acapella by St. Thomas Boy’s Choir. They’re singing this song in its original language, German. The story is told…
In 1818, a roving band of actors was performing in towns throughout the Austrian Alps. On December 23rd they arrived in a village near Salzburg, Germany, where they were to re-enact the story of Christ’s birth at a small church. Instead, the actors presented their Christmas drama in a private home. That Christmas presentation of the events in the first chapters of Matthew and Luke placed Josef Mohr, one of the ministers, in a meditative mood. As he left that evening, instead of walking straight home, Mohr took a longer more scenic route. This path took him up over a hill overlooking the small village. From that hilltop, Mohr looked down on the peaceful snow-covered hamlet. Reveling in majestic silence of the wintry night, Mohr gazed down at the glowing scene. His thoughts about the recent Christmas play reminded him of a poem he had written a couple of years before. That poem was about the night when angels announced the birth of the long-awaited Messiah to shepherds on a hillside. Mohr decided those words might make a good ‘carol’ for his congregation the following evening at their Christmas Eve service. The one problem was that he didn’t have any musical composition to which that poem could be sung. The next day Mohr took his poem to Franz Xaver Gruber, a musically talented member of the congregation. Gruber only had a few hours to come up with a melody which could be sung. However, by that evening, Gruber had managed to compose a musical setting for the poem. They now had a Christmas carol ready to be sung by/for the congregation. On Christmas Eve, the little congregation in the village of Oberndorf heard the first singing of the now favorite, “Silent Night.” Weeks later this Christmas poem made its way down the mountainside and into the hearts of hundreds of thousands of God-fearing men and women.
Yet a Biblical message so beautifully compiled couldn’t be contained to the Austrian Alps. In less than 15 years “Silent Night” was sung all across Europe. Then, in 1838 at the Alexander Hamilton Monument, located outside New York City, this melancholy Christmas hymn was sung in the United States, in its original, German language. Then, nearly fifty years after being first sung in the mountains of Austria, “Silent Night” was translated into English. By 1876, eight years later, that English version made its way into print in Charles Hutchins’ Sunday School Hymnal. Today the words of “Silent Night” are sung in more than 300 different languages all around the world.
As the month of December draws to a close, consider this old, ‘Christmas Hymn’ again sung in German. May this old favorites ring through the years and cheer our hearts. The “Christmas Song of the Day”…Silent Night.
Silent night! holy night! All is calm, all is bright,
‘Round yon virgin mother and Child!
Holy Infant, so tender and mild,
Sleep in heavenly peace, Sleep in heavenly peace.
Silent night, holy night! Shepherds quake at the sight Glories stream from heaven afar Heavenly hosts sing Alleluia! Christ, the Saviour is born. Christ, the Saviour is born
Silent night, holy night Son of God, love’s pure light Radiant beams from Thy holy face With thedawnof redeeming grace Jesus, Lord, at Thy birth. Jesus Lord, at Thy birth.
Have you ever considered the difference between hearing and listening? We hear the sound of the traffic on the highway, but we listen when the driver behind us honks. In frustration some may say, “Yeah, I hear you!” But though their ears have heard the voice, the mind hasn’t processed (or even rejects) the message. Many today would say, “I hear you, but I’m not listening to you.” This can be a dangerous mistake for sure.
This Sunday morning we’re blessed to ‘listen’ to another lesson presented by one of our own ministers, Robert Taylor. Come join us for worship and do more than just hear a good sermon, open your ears and listen to the message from God’s holy word? Join us as we explore God’s Word and consider how we’ll use our ears!
“…I will sing with the spirit and I will sing with the mind also.” I Corinthians 14:15
Sunday morning, October 27, 2013
The following songs are found in the hymnal, Songs of Faith & Praise.
“What a Mighty God We Serve” -993
Technically, this isn’t a difficult song. The words are repetitive and the message is a basic reminder; “What a mighty God we serve! What a mighty God we serve! Angels bow before Him, heaven and earth adore Him. What a mighty God we serve!” You hear the message, but are you listening to what you’re saying? He IS mighty and He is worthy to be served…but HOW are you serving Him?
“O Thou Fount of Every Blessing” – 226
This author has talked in depth of the interpretation of this hymn written in old English Robert Robinson in the mid-1700’s. Words like “Ebenezer”, “fetter” and “interpose” have left many to discard this song as antiquated. But we must do more than just sing (hear) this message from yesteryear. Listen to the meaning when you sing verse three; “O to grace how great a debtor daily I’m constrained to be! {I know, and can never forget, the grace God gives me every day will never be repaid} Let Thy goodness like a fetter bind my wandering heart to Thee; {Father, please keep your loving kindness tied around my heart} Prone to wander, Lord I feel it, prone to leave the God I love. {I am all to liable to wander away from you, like a little child, please keep close to You}. Here’s my heart, O take and seal it, seal it for Thy courts above.” {As a matter of fact, take my heart and keep it in Your care until you call me home.}
“In Christ Alone” – no book
Consider this song of encouragement as we prepare our minds to commemorate our Lord’s death, burial and resurrection. We begin this song recognizing our Cornerstone, solid ground and Comforter as Christ…alone. Verse two takes us from His birth to His crucifixion and for those who know this song ‘listen’ to the emotion found in the third verse. And though we begin softly singing of His burial, our voices ‘burst forth’ as we proclaim His resurrection. The final verse gives us the assurance of our security in Christ. Children of God understand that, “…no power of hell, no scheme of man can ever pluck me from His hand…”
“I Am Mine No More” – 683
Though the author and composer of this song are unknown, the message is very clear. Would that we do more than just say, “I am mine no more…”, but that our lives would reflect a change in our priority. When you say something is more important than something else, it’s only proven by your next step. The difference between hearing and listening…
“Open Our Eyes Lord” – 766
Written in 1976, this song calls us to open our eyes and see how Jesus is alive in our world. But Robert Cull goes a step further as he penned the next verse; “Open our eyes, Lord and help us to listen…” My daddy would tell us boys, ‘You have one mouth and two ears…you should listen twice as much as you talk’ We might not be bigger talkers, but how are we with looking for God and listening to His words?
“Heaven Came Down” – 517
As we prepare for this morning’s lesson, let’s sing this spiritual song about living a Christian life. A beautiful message but notice the second verse; “Born of the Spirit with life from above into God’s family divine. Justified fully through Calvary’s love, O what a standing is mine! And the transaction so quickly was made, when as a sinner I came. Took of the offer of grace He did proffer, He saved me! O praise His dear name…” To proffer is to give a gift expecting an answer, either accept it or not. He has given us salvation. What will you do with His offer? Everyone in the auditorium will hear the offer, but will you listen to the message?
“Only a Step” – 940
How far away from God do you think you are? What kind of step(s) do you need to take to get right with Christ? Our invitation song begins with the call to “Hear the sweet voice of Jesus…” It all starts with hearing the message, but how many will listen to the ‘call?’ In John 14:6, Jesus says, “I am the way…No one comes to the Father except through Me.” The writer of this song encourages us with the understanding that Jesus is only a step away. Those who have been baptized into Christ at one time stepped into the watery grave of baptism. If you are not a child of God and you wonder how far away is He? The answer is simple…He’s only a step away.
“I’ll Be Listening” – 988
As a young boy, when my mother called…I had better answer. If I heard her and choose not to respond (refuse to listen), the consequences might include holding my dad’s hand. All the while he held a switch with his other. We hear God’s call and many have listened to His message of salvation. He will call again at the end of time, but though ‘every knee will bow’ (everyone will listen then), only those who have been faithful will be received. “When the Savior calls, I will answer…I’ll be somewhere listening for my name!”
Concerning a particular situation or a specific set of circumstances some might said, ‘What a coincidence!’ But how do we know if something is coincidental (lucky) or if it’s more likely providential? Often we look at life and see it as lucky or unlucky, black or white and yet all the while we might be missing the point. Perhaps we come up short of giving God the credit He deserves for working in our lives. Perhaps we need to be better about recognizing and seeing that God’s hands are working in ways we can not see. (Remember the song “God Will Make a Way.”) After all, don’t we pray for Him to be with us?
Consider two Christian song writers from this century; Chisholm and Sanderson. T.O. Chisholm was a well renowned American song writer during the early 1900’s. Many of his 1,200 works of Christian poetry have found their way into some of our hymnals. In 1960, at the age of 94, Chisholm passed from this life. His works are well documented but we’ll consider one that was born on a lonely, dark night.
Another well noted writer and composer from the same era was L.O. Sanderson. Sanderson was a preacher of the gospel as well a noted musician. He is recognized as one who wrote the words and music to many of our gospel songs. He was born in 1901 and passed away in 1992, at the age of 91. Like Chisholm, Sanderson penned the music to one particular song in the dark hours of the night. Perhaps it’s not surprising that these two men combined their talents to produce some ‘greats songs of the church.’
It was recorded that one night around midnight, Sanderson was working alone in his office. He had been preparing his sermon for the coming Sunday morning, but a new, specific tune kept running through his mind. To satisfy his musical creativity, he stopped his study and jotted down the musical notes. In a few short weeks he sent the music to his friend, T.O. Chisholm, and inquired of him if had any poetry to fit the scales. As Chisholm reviewed the work of his friend, he found the musical bars (the meter, 11.10.11.10) were a perfect fit for the poetry he penned, “Be with me, Lord – I can not live without Thee, I dare not try to take one step alone, I cannot bear the loads of life, unaided, I need Thy strength to lean myself upon…”
As the two friends compared notes and asked each other questions about this specific work, they found that they both had similar circumstances surrounding their endeavors. Both were working late one night (after midnight to be precise), and both were preoccupied with some specific words, a specific tune, floating within their mind. They were struggling to accomplish one task while trying to embrace this new song. And yet both were unable to be resolution to their struggle until they put their music, poetry, to paper. The extraordinary piece of this puzzle was that both men were creating this song of praise and affirmation some 1000’s of miles apart. Could it have been a coincidence or just plain lucky? Was this just a great accident of hymnology or was our God, the Great Composer, at work in creating a hymn for His people to sing for the ages?
Two men of God, in two separate towns divided by hundreds of miles sitting in their respective offices churning out their own contribution to this hymn of prayer. Perhaps Chisholm’s inspiration in the third verse explains this more clearly; “…a constant sense of Thy abiding presence, where ‘er I am, to feel that Thou art near.”
William Bradbury lived during the mid-1800’s (1816-1868) and wrote the music for some well known hymns sung by the saints for generations. Songs like ” ‘Tis Midnight and On Olive’s Brow”, “He Leadeth Me” and “My Hope is Built on Nothing Less”. Other favorites like “Just As I Am” and “Soldier’s of Christ, Arise” are all the musical work of William Bradbury. Perhaps one of his most noted, recognizable tunes was written in 1862 to support the simple words penned by Anna B. Warner, “Jesus Loves Me”.
Some may remember the old hymn from W. W. Walford entitled, “Sweet Hour of Prayer”. This is another musical arrangement from the hand of William Bradbury. But there was yet another song (same, long meter) which took the same tune with the following words:
{sing these words to “Sweet Hour of Prayer”}
Before the throne of God above, I have a strong and perfect plea: A great High Priest whose name is love, Who ever lives and pleads for me. My name is graven on His hands. My name is written on His heart. I know that while in heav’n He stands. No tongue can bid me hence depart.
Though you might not be familiar with these words accompanying “Sweet Hour of Prayer”, you might be familiar with these words as they accompany a tune written by Vikki Cook in 1997. A songwriter and composer, Vikki Cook and her husband Steve have written numerous contemporary songs. One of her more popular hymns is known as “Holy Lord” or “Great Are You, Lord”.
Listen to this old hymn (penned in 1863) sung to an arrangement developed over 120 years later. The words are strong as you translate the Old English poetry, but the musical arrangement brings new life to a beautiful, old message. Before the throne of God I stand…
Whether it’s Oliver Twist asking for more gruel in the orphanage, or a young boy asking about ‘mo’ -lasses for his hotcakes; we all are looking for more of something. As we conclude this three part study asking if ‘we want more’, we will examine the last verse of Phillip Bliss’ old hymn, “More Holiness Give Me.”
As you may recall, this hymn contains the word more a surprising twenty-four (24) times in only three short verses. Let’s conclude our study as we dive into verse three to examine Phillip Bliss’ inspiration of wanting more.
In verse three we sing about wanting (needing); more purity, more strength, more freedom and more longing. A desire to be more fit, more useful, more blessed & holy and more like the Savior. In the third part of this three part study we’ll consider one by one the ‘mores’ we’re seeking:
1) More purity give me…Purity is an interesting word. To be pure, by definition, is to be ‘unmixed.’ When we strive to have more purity, we are asking (praying) for God to keep us clean. Romans 3:23 reminds us that we “…all have sinned and fall short of the glory of God…”, we’re all dirty. Its our decision is to seek salvation or remain in sin. God’s children belong to Him, therefore we shouldn’t be mixed with the world. Living in a sinful world, we need more purity.
2) More strength to o’er come (overcome)…When faced with an obstacle we’ll either walk away from it, or work to ‘over-come it.’ But what does that mean? Bliss states it clearly, if we are to over come our struggles (obstacles), we need strength. Strength that we currently do not have. We might consider ourselves strong and capable to ‘overcome’, but that’s exactly where the devil wants us. Comfortable and over confident. To stand for Christ we need His strength if we are to ever overcome.
3) More freedom from earth-stains…Remember the need for purity? When we’re ‘mixed up’ in the world we become stained, soiled, dirty. To be free from stains we need a cleansing agent. Tide* might get the stain out of our clothes, but only Christ can remove ‘earth-stains’. Do you want more freedom?
4) More longings for home. Perhaps we have to be away from home for a while to realize how much we long for home. But then again you have to ask yourself…where is home? You’ve heard the saying, “Home is where is your heart is.” OK, then where is your heart? If our heart belongs to God, then heaven is our home. Are you longing to go home or have you given your heart to someone else?
5) More fit for His kingdom. Take a square peg and try to ‘fit’ it into a round hole; you know it doesn’t belong there. It doesn’t fit. To make that square peg do it’s job, you’ll need to shave off the corners. Round the peg off and smooth it to the same size as the hole. Then it will fit and be ready to use…you could say it will be ‘more fit’ than it was previously.
6) More useful…The idea of being useful and fit go hand in hand. Once the corners of the peg are carved off, smoothed down and shaped to fill the hole, it will be useful. But how can it be ‘more’ useful? We all have a responsibility in some form or fashion. Consider how well do you do your job? We work for a reason, to get the job done. We want to be useful in our daily task. But you need to ask yourself; “In God’s kingdom, am I being as ‘useful’ as I could be?”
7) More blessed and holy…8) More, Savior, like Thee. These last two are joined together for a reason. As we strive to be more like Christ in our life, we will be focused on living a holy life. In turn, we’ll be more blessed and ultimately we’ll be more like our Savior. Make no mistake, this song is a prayer. And in our prayers we ask God to give us good health, peace of mind, and patience. But be honest, do you want to be more holy and more like Jesus? That’s a prayer we should all be praying
This 140 year old hymn serves as a full, 24-point sermon on seeking more, but not what the world seeks. The world is focused on self, and it wrestles for more status and position. The child of God is focused on heaven and their desires more Christ centered. We have sung about being more godly…now we need to live ‘more, Savior, like Thee!
Oliver is a young, orphan boy who, at the tender age of nine, lives each day with other orphans at the ‘workhouse.’ His daily routine is much like every boy in the orphanage. He isn’t a trouble maker, but he does something no one else is willing to do. After finishing his bowl of gruel (porridge), with a trembling hand, he returns to food line and utters the famous line, “Please Sir, I want some more…”
Charles Dickens authors this literally piece and many have adapted Oliver Twist to their own version of orphans and the homeless. The story is an interesting one, but our focus is centered on the words of this fictitious nine-year old, “…I want some more.” If we’re truthful with ourselves we would admit that each of us, in some form or fashion want more. But as we’ve studied previous, what more do we want?
Let’s continue the study of the hymn written and composed by Philip Bliss in 1873. Interestingly enough, this song was penned less than 35 years after Dickens wrote Oliver Twist. As you might remember, we sing the word ‘more’ twenty-four (24) times during the course of song “More Holiness Give Me”. Let’s continue our deeper examination of what more we could possibly be aspiring toward.
In verse two we sing (and seek); more gratitude, more trust, more pride and more hope . More tears, more pain, more meekness and more praise. One by one we consider what are we asking God to give us ‘more’ of:
1) More gratitude give me… Our prayers are often laced with thankfulness. We’re thankful for the day, the food, the good night’s rest so why ask for more thankfulness? Gratitude is synonymous with thankfulness but often we ramble out our prayer of thanks without processing why we have what we have. God has given us EVERYTHING! For that alone we should have gratitude. Personally, I don’t get tired of hearing thank you from my children. Do you suppose God is the same?
2) More trust in the Lord… David wrote in Psalm 20:7, “Some boast (trust) in chariots and some in horses, But we will boast (trust) in the name of the Lord, our God.” With some much self-proclaimed wisdom, our culture and this present generation has come to trust in self. So much has been accomplished and achieved during the last 50 years we have become masters in our own right. What do we trust? Who do we trust? Would that we prayer for more trust in the Lord. “…the foolishness of God is wiser than men, and the weakness of God is stronger than men.”
3) More pride in His glory. Each of us knows the swell of pride we feel when our team is victorious. We take pride in knowing we have succeeded in this task or that accomplishment. But more pride in HIS glory means I take pride in giving God glory. We humble ourselves and take pride in knowing our God, He is Alive.
4) More hope in His word. The word “hope” can mean to long for something, wish for it; or it can mean trust or confidence. Our hope in God’s word is not to wish for it to be what it claims to be, but to put our trust and our confidence in His word. You’ll remember we sang that we pray for more trust in the Lord (previous line), and now we turn our prayer to be confident (hope) in His word!
5) More tears for His sorrows. Each week we gather and remember the Lord’s death, burial and resurrection. With the Lord’s Supper we keep Jesus’ sacrifice every in our minds and hearts. But be careful that this time doesn’t become routine. Remember the words of Isaiah (chapter 53) when he prophesy’s about the Messiah saying, “…He is despised and rejected of men; a man of sorrows, and acquainted with grief…” (KJV) Do we weep when we consider His death? We need more tears for His sorrows.
6) More pain at His grief. Again, looking to Isaiah 53 we are reminded of His grief. As we sing this hymn we are asking that we feel the pain, as we shed the tears, for our Savior’s grief. Undoubtedly you’ve said something like, “That breaks my heart!” Simply an expression of pain for someone’s grief. Does Jesus’ suffering (grief) break your heart?
7) More meekness in trial. My mind immediately goes to the book of Matthew and the words of Jesus in the 5th chapter, “…whoever slaps you on your right cheek, turn to him the other also.” (vs. 39) But we shouldn’t be surprised when we consider what Jesus said just a few sentences earlier (vs. 5), “Blessed are the meek: for they shall inherit the earth.”When someone slaps you down (trials), are you fighting mad…or meekly enduring?
8) More praise for relief. In baseball there is a position known as the ‘relief pitcher.’ The man who take over for the ‘starting’ pitcher. He may be there because the starter was injured or perhaps just exhausted. Either way, there is a relief for the starter. In the sport of baseball the relief pitcher isn’t always praised. He may fail to ‘provide’ the relief he was called to deliver. But in the case of Jesus, He is our answer to the injury and exhaustion we feel on a daily basis. He is our relief, our salvation, and He never fails. When we understand and accept Him in that way, we’ll know that we need to give Him more praise for our salvation…He is our relief…
We’ll continue this song in later weeks, but until that time take a look at the last verse of this song; there are still eight more…’mores’.
Last week, in his article about Hymnology, Richard Dent sited 7 rules for congregational singing. Taking a deeper look into these principles might inspire us to consider how we sing on Sunday morning, and how (do) we prepare ourselves to sing.
We mentioned the book by John & Charles Wesley from the early 1700’s, “Selected Writings and Hymns”. This collection of ideas and prayers comes from the founder of Arminian Methodism, yet some of his ideas shared here speak to us today. We’ll consider the exact wording and explore it’s deeper meaning. Keep in mind, our focus concerning words of directions for congregational singing must come from the word of God.
John Wesley’s Rules for Singing
From John Wesley’s Select Hymns, 1761
1) Learn these tunes before you learn any others; afterward learn as many as you please. The encouragement here is for the reader to learn Wesley’s songs as printed in his book. We would agree with the premise to ‘Learn these tunes…’ provided the tunes are scriptural in content. If we find a psalm, hymn or spiritual song that doesn’t resonate with the truth of God’s word, exercise caution before adding it to your repertoire. Learn as many as you please is good advice. But the basis for this charge is to sing songs of praise to God. If we would do that one thing alone (sing to God) our nation would be turning more toward Him.
2) Sing them exactly as they are printed here, without altering or mending them at all; and if you have learned to sing them otherwise, unlearn it as soon as you can. Unfortunately I don’t espouse the language in this ‘rule’ for singing. Though spoken as a true musician, the lay singer will often adjust the melody line or add supporting harmony to a song. God’s instruction to us when we sing is to sing with our hearts, not our vocal cords. Often times we get caught up in the sound of it rather than focus on the heart of singing.
3) Sing all. See that you join with the congregation as frequently as you can. Let not a slight degree of weakness or weariness hinder you. If it is a cross to you, take it up, and you will find it a blessing. This is sound advice! ‘Sing all’ is a call for everyone to sing. Not just those who can or have the ‘best voices’, but all should be singing. Our culture seems to focus on the ‘idols’ and glamorize the talent, but when we read Colossians 3:16, the instruction is to be ‘…teaching and admonishing one another…singing with thankfulness in your hearts to God.’ Paul doesn’t say, ‘if you want to,’ the command is for us to sing; and so we should, sing all!
4) Sing lustily and with a good courage. Beware of singing as if you were half dead, or half asleep; but lift up your voice with strength. Be no more afraid of your voice now, nor more ashamed of its being heard, than when you sung the songs of Satan. Two thoughts here; be of good courage and sing lustily (powerful or strong) are a great admonition. While some refuse to sing, others sing with apathy in their voices. And yet how often do we sing out the songs of the world, but mumble or refuse to sing songs of praise? Considering this was written almost 250 years ago, I find it interesting Wesley refers to worldly songs as ‘songs of Satan.’ Can we find praise to God in secular tunes (western, rock, rap, etc)? Perhaps, since many of those musical numbers carry us away from God, then Wesley was right in saying they are songs of Satan. And yet those are the songs that are sung to establish the ‘best singers’ in our society…do we need to rethink our singing?
5) Sing modestly. Do not bawl, so as to be heard above or distinct from the rest of the congregation, that you many not destroy harmony, but strive to unite your voices together, so as to make one clear melodious sound. Almost seems like a counter to the previous rule to ‘sing lustily’, but consider the reason for singing with modesty. Do we come together to out sing each other? Are you singing tenor so others can hear you for your praise? Sopranos might have the hardest time with this ‘rule’ in that they have the lead voice. We must be aware that our songs are not for us, but for our God. Remember that we are offering ‘…a sacrifice of praise to God, that is, the fruit of lips that give thanks to His name.’ Will we offer that sacrifice with strength and power or with selfish intentions?
6) Sing in time. Whatever time is sung be sure to keep with it. Do not run before nor stay behind it; but attend close to the leading voices, and move therewith as exactly as you can; and take care not to sing too slow. This drawling way steals on all who are lazy; and it is high time to drive it out from us, and sing all our tunes just as quick as we did at first. Again, I’m not convinced this is of the utmost importance. What IS important is the encouragement to sing together. In addition, there is a clear understanding, as Paul stated in I Cor. 14:40 that we are to do, ‘all things…properly and in an orderly manner.’ This is case in point as to why we have song leaders in our worship services. Someone to lead our singing so the congregation can sing together without some running ahead or sing ‘whatever song they want.’ The 14th chapter of I Corinthians helps us understand this idea more clearly.
7) Above all sing spiritually. Have an eye to God in every word you sing. Aim at pleasing Him more than yourself or any other creature. In order to do this attend strictly to the sense of what you sing, and see that your heart is not carried away with sound, but offered to God continually; so shall your singing be such as the Lord will approve here, and reward you when He cometh in the clouds of heaven. I couldn’t say it any clearer. As we sing on Sunday mornings, Sunday evenings and Wednesday nights (or anytime for that matter) we’re praising God. The question is, where do you focus? We are a blessed people to have the hope of heaven. Let’s sing in our congregations to the glory of God and not to satisfy our opinions.
And just in case you were wondering; here’s one more quote from John Wesley, “I have no objection to instruments of music in our worship, provided they are neither seen nor heard.” Updated from What Did Early Christians Believe About Using Instrumental Music in Worship. http://www.bible.ca/H-music.htm
Richard Dent’s research and writing will again grace this website as we look at Hymnology in some general terms.
Have you ever thought that there are ‘rules’ for congregational singing? In this report we’ll look at some ideas from Wesley, Watts and Newton. Let’s consider how we can benefit from knowing more about the history of singing within Christiandom and the Lord’s church.
The mid 1700’s was a time of revival – a great awakening in the colonies as well as England. Charles Wesley picked up where Isaac Watts had left off. He, Wesley, wrote thousands of hymns; some scholars say almost 9,000. Some of his works are in our hymnal, Faith & Praise: “Love Divine” (page #140, written in 1747); “O For a Thousand Tongues to Sing” (page #233, written in 1739); “Christ the Lord is Risen Today” (page #345, written in 1739) and “Hark! The Herald Angels Sing” (page #1001, written in 1739).
In one of his books, Charles Wesley listed seven rules for congregational singing:
1) Learn selected tunes before learning others. 2) Sing them exactly as they were printed. 3) Sing all (all people). See that you join the congregation as frequently as you can. 4) Sing lustily (powerful, with vigor) and with good courage. Beware of singing as if you were half dead or asleep. 5) Sing modestly. Do not bawl so as to be heard above the rest of the congregation so as to destroy the harmony of the group. 6) Sing in time. Do not run ahead nor stay behind. 7) Above all, sing spiritually. Have an eye for God in every word you sing. Aim at pleasing Him more than yourself.
(We’ll come back and visit these ideas next week…)
In the wake of the Watts and the Wesleys, whole generations of hymnists rose up and produced some of the grandest music in the church. Some of these hymns are “Guide Me, O Thou Great Jehovah” (page 844) by William Williams in 1745. He was known as the Watts of Wales.
Other memorable hymns include, “Come Thou Fount of Every Blessing” (page #226) was written by Robert Robinson in 1758; “Rock of Ages” (page #454) written by Augustus Toplady in 1776; and “Amazing Grace” (page #129) written by John Newton in 1779. Have you noticed the years these old hymns were penned? Let’s recap the timeline of just these few hymns of prayer and praise:
1739..”Hark! The Herald Angels Sing;
“O For a Thousand Tongues to Sing” and
“Christ the Lord is Risen Today”
1745…”Guide Me, O Thou Great Jehovah”
1747…”Love Divine”
1758…”Come Thou Fount of Every Blessing”
1776…”Rock of Ages”
1779…”Amazing Grace”
An exceptional collection of hymns that have survived the years. Actually, over 200 years! And we would be amiss to forget the back ground behind Newton’s hymn “Amazing Grace.” Remember that John Newton was a slave trader on the high seas. By his account, an evil and vile man who, following his conversion to Christ became a changed man, and then opposed the slave trading business in the British empire. There is one verse we have nearly forgot, it reads…“The earth shall soon dissolve like snow, the sun forbear to shine. But God, who called me here below, shall be forever mine.”
Understanding the back ground behind what we sing will help us appreciate why we sing. Though hymnology, the study of hymns, may not be exciting for many, I truly believe it is imperative for all. Thanks again to my uncle, Richard Dent, for reminding us of the history of some great songs of faith and praise.
“Well I’m up in the morning and I’m feeling OK…Don’t want the devil to get in my way so I’m down on my knees and I’m starting to pray, ‘Good Morning, Lord!’ Good morning, Lord! Send a little sun(son)shine down my way. Good morning, Lord! I just want to live for you today.”
Baker, Benjamin Bruce and our camp director Doyle Bruce the young men were taught more than just how to read shape notes and understand music theory. We imparted a working knowledge that embraced the responsibility of leading singing and bringing the congregation closer to honoring and glorifying God. The young ladies were directed by Katheryn Baker, Kristy Huntsman and Emili Bruce.
