1, September 27, 20131, September 27, 2013

The Opportunity of Weakness…September 29th

This Sunday, Robert Taylor will bring the morning lesson here at Waterview. As we consider ‘The Opportunity of Weakness’ my first thought comes from the pen of Paul in II Corinthians. Having an opportunity to be weak almost seems like a contradiction in terms. But perhaps we need to look at the words of Christ as He says, “My grace is sufficient for you, for power is perfected in weakness.”
II Corinthians 12:9

In 1948 J.R. Baxter wrote the melancholy hymn, Just a Closer Walk with Thee. The first verse seems to sum up Paul’s ‘thorn in the flesh’ issues from II Corinthians as we sing, “I am weak, but Thou art strong…” Join us on Sunday morning as we take a look at the opportunity of weakness.

“…I will sing with the spirit and I will sing with the mind also.” I Corinthians 14:15

Sunday morning, September 29, 2013

The following songs are found in the hymnal, Songs of Faith & Praise.

“Let Every Heart Rejoice and Sing” 8

“Let every heart rejoice and sing!” Our opening song this morning will focus us on the praise we should be giving to our God and Father. Notice the chorus; “…while the rocks and the rills (streams), while the vales (valleys) and the hills a glorious anthem raise…” All creation speaks of His glory; so should we!

“As the Deer” – 71

A contemporary song taken from the 42nd chapter of the Psalms. Have you ever been so thirst you felt you might ‘dry up and blow away?’ To have just a small drink of water on a hot, miserable day would be great. But do we ‘pant’ (earnestly desire) our God as much as H2O. Rest assured, we will ‘dry up’ in this life without Him. Let’s live so we can say our hearts ‘long to worship’ Him.

“Lead Me to Calvary” – 332

Turning our minds to the cross we sing the following words (from the 2nd verse), ‘Show me the tomb where Thou wast (was) laid, tenderly mourned and wept; angels in robes of light arrayed guarded Thee whilest (while) Thou slept.’ A couple of things to notice; Jesus slept for 3 days (Matt. 16:21). He wasn’t in the grave to ‘undergo decay,’ (Acts 13:37) because we know He lives. But also, ‘…angels in robes of light ARRAYED…’. Interesting to realize the definition for array (besides fine clothes/dress) is an ‘orderly, often imposing alignment.’ Maybe this line is referencing the angels as they ‘guarded the tomb’, and not so much their white, ‘light’, robes.

“Til My Faith Because Sight” – 836

A beautiful song of our faith! See how we reference our Savior in the two verses; “Bread of Life, Living Water, Lover of my soul, Lamb of God, hope of glory, Savior…crucified”, certainly we are singing a hymn to Him…precious holy Lord and King! But how about that line in the chorus, ‘though they slay me’, what if ‘I fall in darkness’…will I still remain faithful? He is your light in this dark world. But you must ask yourself, will I be faithful until He returns?

“Wonderful Love of Jesus” – 308

An older song of praise with a repetitive, catchy chorus, “Wonderful love, wonderful love, wonderful love of Jesus!” But what does “In vain and high and holy lays…”, actually mean? Consider our songs (our lays, ballads), do we offer them up (raise them on high) for nothing? Obviously we want to sing from our hearts and offer a pleasing sacrifice of praise from our lips. But the context of vain in this song is not ‘useless’, but rather far from worthy of our God and King. Defined; vain is “lacking substance or worth.” We should sing with all our heart, and strive to give Him our best in this sacrifice of praise.

“Father Hear the Prayer We Offer” – 777

“Father, hear the prayer we offer; nor for ease that prayer shall be, but for strength that we may ever live our lives courageously.” I wonder if sometimes we pray for things to be good for us (easy), rather than asking for strength to stand firm in the fight against Satan. And not just strength to ‘carry on’, but strength to be steadfast, faithful and loyal in the life we live for Christ and His church.

“Soldier’s of Christ, Arise” – 647

Before the lesson this morning we’ll sing a song that dates back to mid-1700’s. Charles Wesley penned the words that echo Ephesians 6, the armor of God. Notice the progression of the verses. Verse 1‘…put your armor on…’ . Verse 2, “…who in the strength of Jesus trusts, is more than conqueror.” Verse 3, “…take to arm you (arm yourself) for the fight the panoply (the complete set of armor) of God.” Verse 4, “Leave no unguarded place…fortify the whole.” Verse 5, “That having all things done (when life is over)…you may o’ercome thru Christ alone…” Soldiers, we fight various battles every day, but never forget, Christ has won the war!

“Hark the Gentle Voice of Jesus” – 907

Our invitation song is simple; are you weary, do you labor in this life, are you ‘heavy-laden?’ Come, and Christ will give you rest. And that ‘yoke’ we sing about in verses 2 & 3…it’s a source of connection for us with Christ; we are yoked with Him in His suffering. But the rest He offers makes the burden lighter.

“Hilltops of Glory” – no book

An older spiritual song that encourages us as we ‘tread life’s way.’ As we live for Christ and strive to serve Him we look homeward and catch a glimpse of the Hilltops of Glory. Maybe we should be better about asking each other, “…brother won’t you come go with me?”

1, June 25, 20131, June 25, 2013

Congregational Singing

Last week, in his article about Hymnology, Richard Dent sited 7 rules for congregational singing. Taking a deeper look into these principles might inspire us to consider how we sing on Sunday morning, and how (do) we prepare ourselves to sing.

We mentioned the book by John & Charles Wesley from the early 1700’s, “Selected Writings and Hymns”. This collection of ideas and prayers comes from the founder of Arminian Methodism, yet some of his ideas shared here speak to us today. We’ll consider the exact wording and explore it’s deeper meaning. Keep in mind, our focus concerning words of directions for congregational singing must come from the word of God.

John Wesley’s Rules for Singing

From John Wesley’s Select Hymns, 1761

1) Learn these tunes before you learn any others; afterward learn as many as you please. The encouragement here is for the reader to learn Wesley’s songs as printed in his book. We would agree with the premise to ‘Learn these tunes…’ provided the tunes are scriptural in content. If we find a psalm, hymn or spiritual song that doesn’t resonate with the truth of God’s word, exercise caution before adding it to your repertoire. Learn as many as you please is good advice. But the basis for this charge is to sing songs of praise to God. If we would do that one thing alone (sing to God) our nation would be turning more toward Him.

2) Sing them exactly as they are printed here, without altering or mending them at all; and if you have learned to sing them otherwise, unlearn it as soon as you can. Unfortunately I don’t espouse the language in this ‘rule’ for singing. Though spoken as a true musician, the lay singer will often adjust the melody line or add supporting harmony to a song. God’s instruction to us when we sing is to sing with our hearts, not our vocal cords. Often times we get caught up in the sound of it rather than focus on the heart of singing.

3) Sing all. See that you join with the congregation as frequently as you can. Let not a slight degree of weakness or weariness hinder you. If it is a cross to you, take it up, and you will find it a blessing. This is sound advice! ‘Sing all’ is a call for everyone to sing. Not just those who can or have the ‘best voices’, but all should be singing. Our culture seems to focus on the ‘idols’ and glamorize the talent, but when we read Colossians 3:16, the instruction is to be ‘…teaching and admonishing one another…singing with thankfulness in your hearts to God.’ Paul doesn’t say, ‘if you want to,’ the command is for us to sing; and so we should, sing all!

4) Sing lustily and with a good courage. Beware of singing as if you were half dead, or half asleep; but lift up your voice with strength. Be no more afraid of your voice now, nor more ashamed of its being heard, than when you sung the songs of Satan. Two thoughts here; be of good courage and sing lustily (powerful or strong) are a great admonition. While some refuse to sing, others sing with apathy in their voices. And yet how often do we sing out the songs of the world, but mumble or refuse to sing songs of praise? Considering this was written almost 250 years ago, I find it interesting Wesley refers to worldly songs as ‘songs of Satan.’ Can we find praise to God in secular tunes (western, rock, rap, etc)? Perhaps, since many of those musical numbers carry us away from God, then Wesley was right in saying they are songs of Satan. And yet those are the songs that are sung to establish the ‘best singers’ in our society…do we need to rethink our singing?

5) Sing modestly. Do not bawl, so as to be heard above or distinct from the rest of the congregation, that you many not destroy harmony, but strive to unite your voices together, so as to make one clear melodious sound. Almost seems like a counter to the previous rule to ‘sing lustily’, but consider the reason for singing with modesty. Do we come together to out sing each other? Are you singing tenor so others can hear you for your praise? Sopranos might have the hardest time with this ‘rule’ in that they have the lead voice. We must be aware that our songs are not for us, but for our God. Remember that we are offering ‘…a sacrifice of praise to God, that is, the fruit of lips that give thanks to His name.’ Will we offer that sacrifice with strength and power or with selfish intentions?

6) Sing in time. Whatever time is sung be sure to keep with it. Do not run before nor stay behind it; but attend close to the leading voices, and move therewith as exactly as you can; and take care not to sing too slow. This drawling way steals on all who are lazy; and it is high time to drive it out from us, and sing all our tunes just as quick as we did at first. Again, I’m not convinced this is of the utmost importance. What IS important is the encouragement to sing together. In addition, there is a clear understanding, as Paul stated in I Cor. 14:40 that we are to do, ‘all things…properly and in an orderly manner.’ This is case in point as to why we have song leaders in our worship services. Someone to lead our singing so the congregation can sing together without some running ahead or sing ‘whatever song they want.’ The 14th chapter of I Corinthians helps us understand this idea more clearly.

7) Above all sing spiritually. Have an eye to God in every word you sing. Aim at pleasing Him more than yourself or any other creature. In order to do this attend strictly to the sense of what you sing, and see that your heart is not carried away with sound, but offered to God continually; so shall your singing be such as the Lord will approve here, and reward you when He cometh in the clouds of heaven. I couldn’t say it any clearer. As we sing on Sunday mornings, Sunday evenings and Wednesday nights (or anytime for that matter) we’re praising God. The question is, where do you focus? We are a blessed people to have the hope of heaven. Let’s sing in our congregations to the glory of God and not to satisfy our opinions.

And just in case you were wondering; here’s one more quote from John Wesley, “I have no objection to instruments of music in our worship, provided they are neither seen nor heard.” Updated from What Did Early Christians Believe About Using Instrumental Music in Worship. http://www.bible.ca/H-music.htm

1, June 19, 20131, June 18, 2013

Hymnology…A Look at the 1700’s

Richard Dent’s research and writing will again grace this website as we look at Hymnology in some general terms.

Have you ever thought that there are ‘rules’ for congregational singing? In this report we’ll look at some ideas from Wesley, Watts and Newton. Let’s consider how we can benefit from knowing more about the history of singing within Christiandom and the Lord’s church.

The mid 1700’s was a time of revival – a great awakening in the colonies as well as England. Charles Wesley picked up where Isaac Watts had left off. He, Wesley, wrote thousands of hymns; some scholars say almost 9,000. Some of his works are in our hymnal, Faith & Praise: “Love Divine” (page #140, written in 1747); “O For a Thousand Tongues to Sing” (page #233, written in 1739); “Christ the Lord is Risen Today” (page #345, written in 1739) and “Hark! The Herald Angels Sing” (page #1001, written in 1739).

In one of his books, Charles Wesley listed seven rules for congregational singing:

1) Learn selected tunes before learning others.
2) Sing them exactly as they were printed.
3) Sing all (all people). See that you join the congregation as frequently as you can.
4) Sing lustily (powerful, with vigor) and with good courage. Beware of singing as if you were half dead or asleep.
5) Sing modestly. Do not bawl so as to be heard above the rest of the congregation so as to destroy the harmony of the group.
6) Sing in time. Do not run ahead nor stay behind.
7) Above all, sing spiritually. Have an eye for God in every word you sing. Aim at pleasing Him more than yourself.

(We’ll come back and visit these ideas next week…)

In the wake of the Watts and the Wesleys, whole generations of hymnists rose up and produced some of the grandest music in the church. Some of these hymns are “Guide Me, O Thou Great Jehovah” (page 844) by William Williams in 1745. He was known as the Watts of Wales.

Other memorable hymns include, “Come Thou Fount of Every Blessing” (page #226) was written by Robert Robinson in 1758; “Rock of Ages” (page #454) written by Augustus Toplady in 1776; and “Amazing Grace” (page #129) written by John Newton in 1779. Have you noticed the years these old hymns were penned? Let’s recap the timeline of just these few hymns of prayer and praise:

1739..”Hark! The Herald Angels Sing;
“O For a Thousand Tongues to Sing” and
“Christ the Lord is Risen Today”

1745…”Guide Me, O Thou Great Jehovah”

1747…”Love Divine”

1758…”Come Thou Fount of Every Blessing”

1776…”Rock of Ages”

1779…”Amazing Grace”

An exceptional collection of hymns that have survived the years. Actually, over 200 years! And we would be amiss to forget the back ground behind Newton’s hymn “Amazing Grace.” Remember that John Newton was a slave trader on the high seas. By his account, an evil and vile man who, following his conversion to Christ became a changed man, and then opposed the slave trading business in the British empire. There is one verse we have nearly forgot, it reads…“The earth shall soon dissolve like snow, the sun forbear to shine. But God, who called me here below, shall be forever mine.”

Understanding the back ground behind what we sing will help us appreciate why we sing. Though hymnology, the study of hymns, may not be exciting for many, I truly believe it is imperative for all. Thanks again to my uncle, Richard Dent, for reminding us of the history of some great songs of faith and praise.